Alan Eichler: Hour Magazine- Gary Collins Interviewing Lana Turner: 1982 TV Interview

Source:Alan Eichler- Hollywood Babydoll Lana Turner, in 1982.

"Lana Turner chats with Gary Collins in this rare TV interview from 1982."

From Alan Eichler

There's a reason why America has a 50 percent divorce rate. That reason is called Hollywood and broader Los Angeles and the LA area where probably 7-8 out of 10 marriages don't last. Entertainers in Hollywood tend to look at marriage as business opportunities. "If I marry that person, I'll be seen with that person which will lead to other opportunities, plus it will help my image." Especially if they have a reputation as a playboy or playgirl who goes from romance to romance and not seeming very serious about anyone that they get involved with.

The best soap operas in Hollywood don't come from the studios, at least as far as the shows that come from there. They come from real-life in Hollywood and the personal lives that a lot of actresses and actors live. Some if not a lot or perhaps most great comedians in Hollywood, aren't actually standup comedians. But very funny people who are supposed to be serious actors and actresses, but who live very amusing personal lives. Who live crazy lives and do crazy things. Burt Reynolds is a great example of that, but only one example. Ava Gardner with her famous outbursts and temper tantrums, would be another great example of that.

Lana Turner's last big role in Hollywood was on the 1980s hit prime time soap opera Falcon Crest. She was perfect for soaps not just because of her ability as an actress and she's certainly one of the best ever, but also because she lived the life of a soap star and soap personality. She was married a total of nine times and married to one man (Steve Crane) twice. She was the girlfriend of Italian mobster Johnny Stompanato who her daughter Cheryl shot and killed at their home in self-defense. That would be a pretty good episode of General Hospital right there.

Lana Turner lived the real-life of a soap opera character which is why I at least believe she was perfect for soaps like Falcon Crest and could probably could have done other shows as well. Like Dynasty or Dallas, because she had the great dramatic appeal and comedic wit and timing that you need to be a great soap actress. But also because she lived the life of a great soap character. Lana Turner sort of lived the life of Jayne Mansfield, but lived well into seventies and manage to get her wildness and drinking under control to allow for her to live a long life. And Hollywood and the public are in debt to her for that. 

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Larry King Live: 'Joan Collins- On Marilyn Monroe: Diva on Diva'

Source:Larry King Live- Hollywood Babydoll Joan Collins, on Larry King Live.

"In a series of interviews spanning two decades from 1997 to 2017, Joan Collins shares her memories of Marilyn Monroe."

From Larry King Live

Source: The Daily Review- Hollywood & British Goddess Joan Collins.

"Joan Collins Talks Frank Sinatra, Marilyn Monroe & Mae West." Originally from Murmar, but the video has since been deleted or blocked on YouTube.

As far as Frank Sinatra: when you are worth hundreds of millions of dollars which is probably what Frank Sinatra was worth in today's money back in the 1950s and 1960s, you don't believe you live on top of the world. You believe you own the world and that anything you want you just get by asking or ordering it. You meet and work with a beautiful adorable brunette like Joan Collins with a great sense of humor and decide you want to have dinner with her that night. Why would the fact that you are currently in Hamburg Germany and Joan is probably 1000 miles or so away in England get in the way with you getting together with her that night?

You own your own plane and can just send it to her and pick her up and fly her back to Germany where you're currently working. You're not just perhaps the most popular singer in the world, but you're a Hollywood star in films. Why would the fact that Joan Collins has an early call the next morning affect whether you two can get together that night? You just call your friend at Joan's studio where she's working for and tell him that she will be late the next morning because she's having dinner with you in Germany.

That is how Frank Sinatra was probably thinking back then and what Joan did according to this interview was turn him down. And as Joan put it Frank Sinatra didn't handle rejection real well because he wasn't accustomed to being rejected. I mean rejecting Frank Sinatra could cost you. Jack and Bobby Kennedy rejected Frank in the early 60s by not going out to his home in California and instead going to Bing Crosby's on a trip out there and Frank never forgave Bobby for that.

As far as Mae West. Joan Collins has this famous quote that age is just a number. If I had to guess I would say that quote is actually Mae West's quote. Myra Breckinridge which was originally written by Gore Vidal comes out as a film in 1970 with Raquel Welch playing Myra and Mae West is in that movie. She's already in her eighties at that point and could've actually been Frank Sinatra'a mother as far as years, perhaps Joan Collins grandmother and yet she's still performing and singing in that movie and playing a sex goddess who wants to bring young sexy men up to her penthouse. The woman has a bed in her office in that movie. A woman who is already in her eighties.

As far as Marilyn Monroe. Joan is obviously right that gorgeous blondes aren't taken seriously in Hollywood. Nothing new to report there. Lauren Bacall and Ingrid Bergman would be exceptions to that because they both showed early on in their careers that they had to be taken seriously and it would cost the studios money if they weren't taken seriously, because those two women were both very intelligent and knew how to take care of themselves and how the business worked and what they were worth and meant to the movie industry. Marilyn Monroe wasn't a dumb blonde, but was certainly immature and overly adorable both in appearance and personality and was probably used and taken advantage of as a result. And treated like a little girl. 

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Lloyd Laney: Susan Hayward 1998 Biography

Source: Lloyd Laney

Source: Lloyd Laney: Susan Hayward 1998 Biography

I believe what made Susan Hayward such a great actress was how real she was which allowed to her seem like she wasn't acting. She almost had this "I have nothing to lose attitude so I might as well do things my way." Which I guess is understandable because of how she grew up and was raised. Coming from an immigrant community in a very poor part of New York. And was taught very young or perhaps just learned herself that if she's going to accomplish anything in life because of how she's starting out she's going to have to earn everything and work very hard. Because nothing will be given to her.

Sort of reminds me of how Richard Nixon started out in life coming from a very poor part of Southern California and yet he is elected to the U.S. House of Representatives in his early thirties and the U.S. Senate just two years later, Vice President of the United States by 39 and never had to worry about money the rest of his life. People appreciate things more in life when they earn them because they know what it's like not to have much and don't want to go back there. Which I believe is what kept Susan going for as long as she was able to and literally becoming not just one of the best actresses of her generation, but ever.

Not to get too political especially in piece about Classic Hollywood but Susan Hayward represents exactly what American exceptionalism is. That no matter your race, ethnicity, gender, how you were raised and the income level of your parents, if you have real talent, skills, and a strong work-ethic, you'll make it in America. Susan Hayward's lack of a start in life and having nothing to start off with and her father never making enough money for his family to live well and they always being in poverty, only made Susan work harder and be able to accomplish more on her own. Because she hated poverty so much that we was going to work as hard and be as successful as she possibly can.

Susan was finally able to finally enjoy life instead of worrying about will she have enough food to eat that day or will she homeless and other things that most Americans who don't live in poverty take for granted everyday. I believe Susan's upbringing and how real and honest she was contributed to her being the great actress that she was. Because she knew too well what poverty and going without was like and when she was acting it was like she wasn't acting or pretending at all, because of how real she was.

I believe Susan Hayward was one of the first great dramatic comedic actresses. And what I mean by that is not someone who can do both drama and comedy well someone like a Sally Field today who is still one of the funniest people in Hollywood and has still has great comedic timing, but who is also a very good if not great dramatic actress. But Susan was someone who brought comedy to her dramatic roles and could combine both genres into one role and be dramatic and funny at the same time. The movie I'll Cry Tomorrow where she plays a great but alcoholic actress, is an excellent example of that. Where she was cracking wisecracks with the perfect timing as she was playing a drunk with a really bad case of alcoholism.

Susan was so real as an actress and had a knack for playing women who were struggling and did that so well, because she wasn't playing. She knew exactly what it was like to struggle in life and would take those parts and literally turn into the women she was playing, because she knew exactly what it was like to struggle in life. Which is what I believe made her a great actress. Which I believe is also what lead to Susan's downfall and why she dies in 1975 in her late fifties because everything in life was such a struggle for her and she didn't take enough time to actually enjoy what she accomplished in life.

The Atlantic: Kurt Anderson- 'The Cultural Factors Driving America's Departure From Reality'

Source:The Atlantic- Writer Kurt Anderson for The Atlantic.

“Kurt Andersen’s cover story “How America Lost Its Mind” argues that “being American means we can believe anything we want.” This is due to a combination of the new-age mentality born out of the 1960s that encouraged Americans to find their own truth and the internet age, which has allowed us to create communities that reinforce our beliefs. According to Andersen, the perfect manifestation of America’s journey away from reality is the election of Donald Trump. Read more in The Atlantic’s September 2017 cover story:The Atlantic."

From The Atlantic

I don't want to make this whole piece about Donald Trump and even not most of it and perhaps just a lot of it, but the way I look at America's Departure From Reality (to paraphrase Kurt Anderson) is way I describe Donald Trump's approach to politics and broader approach to salesmanship. Which is that it's not what's true that's important to him, but what's believable. And not what's believable to most people or intelligent people. But what's believable to enough people for him to accomplish what he wants.

In 2016 that was the presidency and perhaps now it's just about what's believable to his base so his presidency doesn't completely go under water. Right now President Trump's approval rating is somewhere between 33-37% depending on what non-Fox News and Rasmussen poll you look at. Even Fox News has him in the low to mid forties right now. And you take President Trump's base away from him he's probably in the teens right now and perhaps low teens. Not the Republican Party but just his base in the Republican Party. Which is about 4-10 Republicans.

President Trump believes for him to stay alive and not risk being kicked out of office or asked to resign even with a Republican Congress, he has to have his base with him. And to for hat he has to tell them things that are believable to them even if the rest of the country knows what he's saying his complete garbage. (To be kind) Millions of Americans perhaps have escaped the real world to break from reality and perhaps live in so-called reality TV because their real world is too scary for them. But so does their own President.

America's break from reality of course didn't start with Donald Trump. Right now he's just the overwhelming benefactor of it. Where he now represents people who believe that Russia had nothing to do with the 2016 elections and didn't try to interfere in them. Even though President's own intelligent agencies have told him that Russia tried to hack our elections. Climate change is a hoax, 9/11 was an inside job, Barack Obama was born in Kenya, and I could go on. But America's break from reality has nothing to do with Donald Trump. Again he's just the biggest benefactor of it.

We now live in a country where Americans believe reality TV is actually real and the people on these shows are like that in real-life. When in fact we now now (or at least some of us) that the cast members on those shows are encouraged by the producers of those shows to act out and be the biggest jerks they can and get into arguments with other cast members about nothing to draw the biggest ratings. Because conflict is what sells on TV.

Life in America can be tough and stressful and Americans sometimes need a break from that and be able to escape their own reality. Which is why we take vacations and a lot of us watch the tube and get online when we get home from work especially after we've completed everything we need to do that day. That's fine and I do these things myself. But it's when alternative reality takes over our lives and we start to live in those worlds and start seeing and hearing things that simply don't exist is where virtual reality becomes a problem and we look stupid as a result. Americans are only as powerful and free as we are educated and intelligent.

The smarter we are the freer and powerful we are because we'll make the right decisions for ourselves and people who depend on us. But the more virtual reality and so-called reality TV takes over our lives and we actually take those things seriously instead of the mindless entertainment that it is (like pro wrestling) the dumber we become and the less free that we are as a people and country. 

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BBC: 1999 Jayne Mansfield Documentary

Source:Primativo- Hollywood Babydoll Jayne Mansfield, being interviewed by BBC for their documentary about her.

"Movie star, pin-up queen, nightclub performer Jayne Mansfield lived a short but colorful life (1933-1967) during which she married three times, had five children (including TV star Mariska Hargitay), made over 30 films, appeared on hundreds of magazine and record album covers and dozens of TV appearances. She was known for her "dumb blonde" persona, almost-cartoonish dimensions, and a brilliant intelligence (she spoke multiple languages, played various instruments and was reported to have a 163 IQ). Unfortunately, she is as recognized for her presence in the media (including for her untimely passing) as she is for her on-screen performances. This comprehensive British documentary features tons of media footage, interviews with all three of her husbands, two of her children, and her friends and collaborators...

From Primativo

I guess in one way Jayne Mansfield was a great actress and not just a great comedic actress and comedian, but a real great actress at least in the sense that she had so many people fooled. She wanted to be seen as the dumb blonde who needed her hot, adorable, sexy image to pay her bills. But in actuality she always knew what she was doing. An intelligent woman who wanted to be viewed as a bimbo and was such a great actress that she pulled that off. She had people thinking she was exactly as she came off which was as a bimbo.

Marilyn Monroe had the famous quote that it takes a smart woman to play the dumb blonde. Well that was Jayne Mansfield, the smart woman who played the dumb blonde. She knew what Hollywood was and how she could be successful in it and played her talents to the hilt. A hot, adorable woman with a great body, but who also had a great sense of humor and comedic timing, who was also an accomplished singer. But knew exactly what people in Hollywood and what the fans noticed first and what they wanted.

Which was to see this hot, adorable woman with the great curve appeal and then you add to that which was she was a great entertainer. Someone who should exchange wisecracks with funny people like Tom Ewell, Edmond O'Brien, Merv Griffin, Jack Benny, Cary Grant, and many others.

Jayne was better than Marilyn Monroe at least in this sense that Jayne knew she was really good and had made it and deserved what she accomplished. Unlike Marilyn who was battling mental illness and depression and was heavily medicated for a lot of her adult life and had even attempted suicide and been committed at one point.

Jayne had a plan from day one and knew what she needed to do to make it in Hollywood. But unfortunately Jayne Mansfield falls in the class of what could've happened if only and ends up dying at 34 in 1967 because of a car crash where she wasn't even driving because her and her crew were in a big hurry to meet a big appointment that they had in New Orleans the next morning.

By the time Jayne died in 1967 she was woking the nightclub circuit as a singer because her Hollywood career had burned out because the major studios no longer wanted to work with her.

Jayne mentally in many ways was just as adorable as she was physically. She came off a little girl both physically and personally. And was fairly immature and developed bad habits like drinking heavily and not able to take criticism very well and work to expand her image so she could get better and bigger parts.

Which is why she fell out of Hollywood and down to the nightclub circuit just to pay the bills and keep working. 

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Alan Eichler: Robert Osborne Interviewing Lana Turner- 1982 TV Interview

Source:Alan Eichler- Film historian Robert Osborne, interviewing Hollywood Babydoll Lana Turner in 1982.

“Lana Turner chats with Robert Osborne in this rare TV interview from 1982, which aired on a local station in Los Angeles.”

Source:Alan Eichler

Just to be a little personal: when you're talking about cute Hollywood blondes, Lana Turner is at the top of the list. Even in her late forties and fifties she was still as cute as a little girl and not just because she was really short.

Love Has Many Faces from 1964 I believe is Lana's best movie and one of the best soap operas of all-time. (At least in my opinion) Lana worked with the gorgeous baby-face adorable Stefanie Powers in that movie. And Stefanie is maybe 20 at that point and as cute as can be and Lana is in her early forties and Lana is the cutest woman in that movie. That movie also had a beautiful adorable brunette in Ruth Roman in it. Peyton Place from the 1950s, she's cuter than her daughter in that movie.

Lana Turner was always an adorable gorgeous baby blonde with a keen honest intelligence and quick wit. Which made her perfect for soap movies in the 50s and 60s like The Big Cube in 1969 which is more of a cult favorite than anything else, but still a very entertaining and funny movie.

Which made her perfect for TV soaps like Falcon Crest in the 1980s. The Bad and The Beautiful where she plays a brand new soon to be the next hot star in Hollywood and she works with Kirk Douglas, Barry Sullivan and Dick Powell in that movie. She was like a little girl in that movie as far as physical stature but that little baby face and how she spoke and came off in that movie. The Bad and The Beautiful is the prefect title for that movie. Because there were no angels in that movie. But ordinary people simply trying to survive working for a selfish producer who was user of talent.

If you were going to put together a list of the top 5-10 Hollywood soap and dramatic comedy actresses of all-time I believe Lana Turner would have to be on it. Of course it would also have to have The Love Goddess Rita Hayworth on it. Slim Lauren Bacall would have to be on it. Elizabeth Taylor would have to be on it. Ava Gardner would have to be on it and if you left Ava off she might sue you for that. Susan Hayward would have to be on it. I believe Lauren Bacall is the best perhaps Liz Taylor is just right behind her.

But Lana Turner is in that group as well because she was so convincing and a great dramatic comedic actress who combined great dramatic affect with quick wit as well. And self-deprecating humor as well and not afraid to make fun of herself. Maybe that had something to do with the alcohol or maybe just because she was so honest.

But I believe the best actresses and actors are the most honest which allows for them to be the most convincing because they look like they're playing themselves. Which is why Lana Turner is so high up the Hollywood best ever list.

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Joan Collins Archives: Mark McMorrow- 'Film Flashback: Rally Round The Flag Boys (1958)'

Source:Joan Collins Archive- Joan Collins and Paul Newman in Rally Round The Flag Boys.

"This comedy from 1958 features Joan with good friends Paul Newman & Joanne Woodward.. Read more in my film archive!"

Source:Joan Collins Archives

“Rally ‘Round the Flag, Boys Full Movies.”

Source:James Neff- Joanne Woodward and Paul Newman, in Rally Round The Flag Boys. (1958)

From James Neff

Unlike Seven Thieves which I blogged about a couple weeks ago Joan Collins and Paul Newman, really are the only two reasons to watch Rally Round The Flag Boys. Joanne Woodward is pretty cute and funny in it, Jack Carson is great as the stumbling awkward U.S. Army Captain who tries to come off as a lot tougher than he actually is. Jack Carson is simply one of the top comedic actors of his generation.

But the first hour of this movie is pretty funny with Joan playing this beautiful (if not gorgeous) rich housewife in this small town about an hour outside of New York City who really only has one problem. Her wealthy business executive husband never sees her. The man is either working all the time at the office, out-of-town on business (or with his mistresses's) or going out with his mistresses. I added the mistress part myself to make it sound funny, but the point being the man is never around and never seen with his beautiful adorable wife Angela Hoffa (played by Joan Collins) in the entire movie. And Joan can get kinda prickly about little things like never seeing her husband. Even if he gives her an allowance that makes her a millionaire.

But Angela comes across Harry Bannerman (played by Paul Newman) early in the movie when he gets to the train station in their small town coming back from work and his wife is too busy to pick him up. Angela just happens to be there perhaps thinking this might be the night where she actually gets to spend some time with her husband, but of course he's still not there and still at work. And offers to drive Harry home. And that is where Angela and Harry who are neighbors get to know each other a little bit and find out that they have something in common. Which is they don't get to see their spouses very often.

Harry's wife Grace Bannerman (played by Joanne Woodward) is the busiest housewife in Putnam's Landing if not America as a whole. Except she's not very busy at home (if you get my drift) but instead is more like a First Lady and is involved in every civil activity known to man. At least in Putnam's Landing and isn't around much for her husband Harry, but he works a lot as well and doesn't see his wife a lot either. They have a townhall meeting in Putnam's and the Mayor there announces that the U.S. Army wants to open a base there, but won't tell them why they need the base there. And his wife is appointed to run a new committee to deal with the new Army base coming to town. And appoints her husband to be the liaison between the town and U.S. Army about the base coming to town. Harry just happens to work in public relations and is in the U.S. Naval Reserve so is very qualified for this job.

To get back to Joan Collins which is really the only reason why I'm writing about this. There are two very hysterical scenes in this movie where Joan is her usually adorably funny self. Perhaps three with her picking up Paul Newman early in the movie and driving him home. But the first one being where Paul drives Joan home from the meeting because his wife stays late at the meeting and Joan invites him in to her home. And they have a hilarious but innocent party where they get drunk and do a lot of dancing and fall back down the stairs together after trying to go upstairs.

The other scene being where Joan follows Paul to his hotel in Washington where he's there to talk to the Pentagon about his new role in Putnam's and gets to his hotel room and Joan is there waiting for him. Harry makes it real clear that he's happily married and doesn't want to get involved, but Angela doesn't take no at least not very easily and makes a big play for him. And Harry's wife arrives there and sees them together. After that the movies gets really silly and looks more like musical comedy than anything else.

I saw this movie a few months ago and have it on DVD and tweeted that and shared that on Google+ as well that the only reason I saw this movie was to see the adorably funny Joan Collins in it. Joan actually saw that and liked it. Saw this movie over the weekend to refresh my memory about it and to prepare for this piece. Take Joan Collins out of this movie and replace her with a much more ordinary woman who doesn't have Joan's comedic ability and talent like a Deborah Kerr or someone like that (no offense to Deborah Kerr) and I don't have much incentive to watch this movie, at least not a 2nd time. This movie is an example where a great actress and actor can pull the movie together by themselves. Especially if that actress is as beautiful, adorable, sexy, and funny as a Joan Collins. 

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Mysteries and Scandals: Susan Hayward

Source:Tanya Randy- a man who was interviewed for this documentary.

“Susan Hayward (June 30, 1917 – March 14, 1975) was an American actress. Hayward was born Edythe Marrenner in Brooklyn, the youngest of three children .

Susan Hayward (June 30, 1917 – March 14, 1975) was an American actress. Hayward was born Edythe Marrenner in Brooklyn, the youngest of three children .

To contribute to Closed Caption please use this link and thank you!

A.J. Benza says Get out the kleenex folks, this ones a real tear jerker (unfortunately for poor Judy). Holliday began her show business career in 1938 as part of .”

From Tanya Randy 

“Gloria played the flirty ‘girl about town’ in the movie Oklahoma but mostly appeared in NOIR movies. VERY VERSATILE! Gloria and Rita Hayworth are my . This is for Cole Hurley* Capucine.”

Gloria played the flirty ‘girl about town’ in the movie Oklahoma but mostly appeared in NOIR movies. VERY VERSATILE! Gloria and Rita Hayworth are my . Joaquin Smithey farkıyla sunulmuştur..”

Source:Suzy Reinhardt- Hollywood Goddess Susan Hayward.

From Suzy Reinhardt 

This photo is from the 2000 Mysteries and Scandals documentary of Hollywood Babydoll Susan Hayward. But the video that this photo is from is no longer available online.

Source:Suzy Reinhardt- Myteries and Scandals Susan Hayward.

When I think of Susan Hayward I think of great dramatic comedy actresses who are real-life drama queens. Similar to Ava Gardner, women who had a tendency to play parts that were close to home.

Susan Hayward had a habit of playing women who were going through really tough experiences and were even scorned and somehow make it through those experiences until they’re hit so hard at the end which is what finally brings them down.

Susan Hayward played alcoholics, Susan was an alcoholic. Susan played women who were depressed and consumed a lot of sleeping pills and other medication just to try to get through life. Susan consumed a lot of sleeping pills and antidepressants.

I believe what made Susan such a great actress and again very similar to Ava Gardner is she played women who were a lot like her. Very beautiful, really adorable, quick witted, very intelligent, and very honest.

As one of the men in this video said there was no bull or baloney with Susan Hayward. And I would have used much stronger language than that. You knew where you stood with her and how she was feeling all the tine. And again we’re talking about one of the best actresses ever, so could have easily hided her feelings if she wanted to and played pretend and fooled a lot of people. But again what made her such a great actress was that she was so real. And you always knew what she was going though, how she felt, and how she felt about you.

If you’re looking for good Susan Hayward movies to check out this weekend or in the future, I could give you several, but if you’re really interested in Susan Hayward herself and what she went through in life, then I have a few movies that will give you a great idea of why she was a great actress.

I Want To Live, where she plays a death row inmate the true story of Barbara Graham. Barbara was also a woman who went through horrible experiences in life and had some real bad men in her life and ended becoming a criminal herself. Whether she was actually guilty of the murder she was convicted of in the end is a different story.

Where Love Has Gone from 1964 which I believe was made based on the life of Lana Turner and how her boyfriend ends up dying in that relationship because her daughter ends up killing him. Susan plays a woman in Where Love Has Gone who has an abusive boyfriend or at least a man with a bad temper and goes off one night and Susan’s daughter comes in and shoots the man.

I’ll Cry Tomorrow where Susan plays a starlet who drinks too much and is overly medicated. Again very similar to the life that Susan lived herself.

Imagine how much more dramatic real-life would be if we had a lot more Susan Hayward’s in and out of Hollywood. Imagine what life would be like if you always knew where you stood with people. You would really know if someone liked you or disliked you. You would really know if someone loved you or hated you. If you were doing a good job or about to get fired. But at least you would know where you stood in life and how you stood with other people and be able to make the necessary adjustments or continue to do what’s working before something bad happened to you or you went off course.

That is the life that Susan played in the characters that she played and the life she lived. Which makes her very unique in Hollywood where everything is generally about appearances and make believe and where Hollywood imitates real-life too much and people outside of Hollywood are more interested in appearances instead of reality.

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The Atlantic: Derek Thompson- 'What Makes Things Cool?'

Source:The Atlantic- Hum, maybe the word should be awesome, now?

"Although trends might seem completely random, there are well-documented patterns to what becomes popular. A 20th century industrial designer, who created some of America’s most iconic looks, developed a theory of coolness that has been backed up by various scientific studies. Derek Thompson, senior editor at The Atlantic, explains the science behind why we like what we like."

From The Atlantic

What makes things cool? A very good question especially since America is such a trendy what's hot now and cool society where everyone who wants to be cool seems to follow whatever the latest trend is even if they look ridiculous, (like wearing cowboy boots and running shorts with a mink coat)  talking or looking like that, or could feel like they're dying when they try to drink the latest drink or eat the latest dish.

Americans by enlarge and there some exceptions of people who have a healthy degree of self-confidence and are very comfortable being themselves even if their best friends are following their favorite celebrities like cult followers follow their leaders. And even with some Americans who are simply cool, because they are themselves even if that makes them different, but by en-large feel the need to be like everyone else who is considered cool at the time.

With Jim Morrison of The Doors from the late 1960s being a perfect example of an exception to this rule. Marilyn Monroe from the 1950s would be another great example of that. Sean Connery at any point of his career has always been Mr. Cool, or is that Steve McQueen, but both of these men were always themselves. With the personal attributes, looks, intelligence, charm, humor. These two men were always themselves and if anything drove other men to be like them. Instead of these two guys trying to be like some other hot celebrity of that time.

Pop culture and what's seen as cool drives Americans more than just about anything else. We have a lot of Americans especially young Americans who rather be seen as stupid, instead of intelligent and willing to step out on the ledge (in pop culture, not in actuality) and risk not looking and sounding cool. And young adults and even teenagers if they're into something, than people who are just older than them and even much older than them try to get into the same things. And what drives young people today in pop culture is new technology, because it makes their lives much easier and the ability to communicate so much easier than it was even more my Generation X when I was growing up in the 1980s and early 1990s. And the other thing being celebrity culture including talentless celebrities whose only ability has to do with cursing people out and expressing deep anger in public.

Derek Thompson in his video gives you the more scientific explanation of why things are cool and things become trends. But when it comes to Americans it's about trends and faddism. What are the cool people doing meaning the popular people in pop culture and that is who people who are not famous, but perhaps want to be or just want to be part of the cool and party scene in their local community and where they work and so-forth.

And most pop culture today has to do with new technology and people feeling this need that they may die if they don't get the latest iPhone the day that it comes out, watch the last episode of their favorite reality show or drama on cable, or what have you. And keeping up with the pop culture tends and having this feeling of coolness and being in is what drives the happiness of a lot of Americans. Way too many from my point of view.

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CBS: 'The Jayne Mansfield Story (1980) CBS Wednesday Night Movie'

Source:Danijel Ostojic- Hollywood Babydoll Loni Anderson, as Hollywood Babydoll Jayne Mansfield.

"Not from Chicago, but aired via another CBS affiliate, WJBK Channel 2 in Detroit, MI, here's The CBS Wednesday Night Movies' "television premiere" presentation of "The Jayne Mansfield Story," with Loni Anderson as the ultimately doomed blonde bombshell, and Austrian-born Arnold Schwarzenegger as her husband, Hungarian-born Mickey Hargitay. Followed by the first three minutes of Eyewitness News, with Norm Wagy, Jill Geisler, Bill Fouch and Joanne Williams, and a report from Tom Fenton." 

Source:Chicago Classic Television- Hollywood Babydoll Loni Anderson, as Hollywood Babydoll Jayne Mansfield, in The Jayne Mansfield Story (1980)

From Chicago Classic Television

“Made-for-TV** – WJBK 2 Detroit – The Jayne Mansfield Story (Made-for-TV) – This is the Original Oct.29,1980 broadcast with Commercials followed by a few minutes of Local News.

“The Jayne Mansfield Story” (Made-for-TV) CBS Wednesday Night Movie (Oct.29,1980)

Promo for the rerun of the 1980 made for TV movie “The Jayne Mansfield Story” starring Loni Anderson and Arnold Schwarzenegger on the April 27, 1982 CBS Tuesday Night Movies.

Opening to the world premiere of “The Jayne Mansfield Story” from 10/29/80.”

From Danijel Ostojic 

"Loni Anderson in 1980 film "The Jayne Mansfield Story" wears a lovely mermaid dress to die for, dances and gets a lift from the future governor of California." 

Source:M Doli Vetti- Hollywood Babydoll Loni Anderson, as Hollywood Babydoll Jayne Mansfield, in The Jayne Mansfield Story. If there is one actress who is adorable and funny enough to play Jayne Mansfield, it's Loni Anderson. I think she does a great job in this TV film.

From M Doli Vetti

"The movie tells the story of Hollywood movie star Jayne Mansfield. Like Marilyn Monroe, Mansfield was a sex symbol of the 1950s. She was able to succeed in Hollywood, became the owner of several theater awards. She also appeared several times in Playboy magazine. Her tragic death in a road accident ended her life at age 34." 

Source:IMDB- CBS's Wednesday Night Movie

From IMDB 

"Martha Saxton's 'Jayne Mansfield And The American Fifties' is a fascinating, deeply probing biography on the short, tragic life of a Hollywood ... symbol. " 

Source:Good Reads- Martha Saxton's book

From Good Reads 

"Thanks to social media, it’s now easier than ever to become “famous,” often for doing as little as Tweeting a joke (or someone else’s joke, if you’re Josh Ostrowsky). Sometimes you don’t even need to try–merely saying something funny in a “man on the street” interview will turn you into someone’s “spirit animal.” Back in Hollywood’s golden age, however, you had to work hard to get publicity, let alone keep it, and no one worked harder than Jayne Mansfield." 

Source:Tune In Tonight- Hollywood Babydoll Loni Anderson, as Hollywood Babydoll Jayne Mansfield, in The Jayne Mansfield Story (1980) 

From Tune In Tonight

At risk of sounding old here: when I was growing up in the 1980s and even when I was in high school in the early 1990s. network original movies that were made and produced by the networks, were actually worth watching.

CBS, NBC, and ABC, all had their own movie companies that were part of their entertainment divisions and had one night a week and sometimes multiple nights if they were showing a mini-series where they should show two-hour movie and sometimes longer than that.

The networks would produce their own movies and of course would show movies that were from Hollywood and perhaps had been out for a year or so, or longer. Very similar to what HBO, Showtime and others do on cable.

Probably watched 5-6 of James Bond series of movies in the summer of 1992 alone on ABC. The networks did this because they were good at it and knew what movies to pick and how to promote them and what kind of cast they could put together and so-forth. But also because cable wasn’t as dominant in the 1980s as it became in the 1990s. CBS, NBC, and ABC, were worried about each other. And not so much what HBO, Showtime, Cinemax, TNT, USA, etc, were doing on cable.

The cable networks simply didn’t have the resources that the broadcast networks had back then and to certain extent today as well, but cable networks are much powerful and influential today than they were back then.

I only mention all of this because I’m trying to bore you into a coma. Especially if you weren’t even born yet in the 1980s. Actually, I have other reasons as well. Because the Jayne Mansfield Story was a TV network movie that CBS put together with the producers, directors, creators, and writers of the movie.

And The Jayne Mansfield Story and I’m only 4 years old when it came out in October, 1980 so I didn’t see it and only finally heard about it a year or so ago and saw a video for it on YouTube and the finally got to see the whole movie on cable (of course) on Get-TV last February and saw it again a few months after that.

And this was a network movie where you have Loni Anderson as the lead actress playing Jayne Mansfield and Arnold Schwarzenegger playing her husband and long time lover Mickey Hargitay. (The father of Mariska Hargitay) If there is just one woman who is adorable and funny enough to play Jayne Mansfield, as well as being a good enough actress and comedian, it's Loni Anderson. I think she plays Jayne perfectly in this movie.

Loni was already a star at this point with her guest appearances on Threes Company in the late 1970s playing Jack Tripper’s love interest. And then she lands WKRP in Cincinnati in 1978. (One of the best sitcoms of all-time) Arnold wasn’t a star as an actor yet, but he was a superstar professional bodybuilder and already well-known at this point. Mickey Hargitay was a superstar bodybuilder before become an actor as well.

This is a very good and funny movie and a lot of that has to do with Loni Anderson. Who has great comedic ability and one of the top comedic actresses of her generation, at least. And she happens to playing a very funny woman in Jayne Mansfield who was very funny in real-life both intentionally and unintentionally, because she was so adorable and very immature and then add her comedic timing and you had a very funny woman who might still be working today had it not had been for her tragic car accident in 1967.

The movie covers Jayne’s life from when she became star in the early 1950s looking for work and basically forcing herself on her future agent Bob Garrett (played by Ray Buktenica) and he tells her if he’s going to represent Jayne that she’s going to have to change her hair and a few other things. But sees potential in her as a comedian.

And the movie goes from Jayne being discovered in the early 1950s where Hollywood wasn’t ready for her alway up to her fall and struggling to find work in the early and mid 1960s, to her tragic death in 1967.

Loni Anderson is just plain hot, sexy, adorable and funny as Jayne Mansfield. She’s as cute as a little girl with personality to match, but with body of a goddess with those legs, curves, chest and everything else, as well as the face. 

Arnold playing Jayne’s wife is also great as a very loving and caring husband of Jayne who tries to look out for her best interests and tries to manage her immatureness and irresponsible behavior, but fails at both and they split up in the movie.

I believe Jayne Mansfield in real-life would have been proud for how Loni played her and at least give her credit for doing such a great and accurate job. Because I think knew herself real well and didn’t try to be anyone other than herself even if she seemed overly adorable and even childish to even the people who loved and cared about her like Mickey Hargitay and her business people. 

This is a very entertaining movie that covers the struggles as Jayne making it as a great comedic actress, but someone who also wanted to be taken seriously in Hollywood and get serious parts with more meaning.

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Real Time With Bill Maher: 'New Rule: What if Barack Obama Said It?'

Source:Real Time With Bill Maher- Bill Maher, imaging what the Republican Party would look like, under a President Barack Obama. LOL

"Bill imagines how Republicans would react if Barack Obama exhibited the same crude behavior as Donald Trump – with a little help from Obama impersonator Reggie Brown."

From Real Time With Bill Maher

Just too at least sound serious for a minute: The reasons why the Republican Party are holding Donald Trump to a lower standard and perhaps low standard is not the right term and no standard at all would be more accurate, is because they weren't expecting Donald Trump to be President.

The GOP wasn't expecting to have to deal with President Trump's narcissism, inexperience, immaturity, irresponsibility, lack of intelligence (at least when it comes to public affairs) , etc, and I could go on but it's Saturday and I don't want to spend my whole day on this. But having to deal with all of Donald Trump's personal weaknesses like they were producers of a so-called reality TV show having to deal with an inexperienced, irresponsible cast that believes the whole world revolves around them and they are now the latest hot pop culture celebrity.

The GOP was expecting to Hillary Clinton to not only be the next President right now, but for her to defeat Donald Trump going away not just in the popular vote, but in the Electoral College as well. And that the GOP would hold the House, but perhaps Democrats would win back the Senate. And that the GOP would be spending the next two years trying to obstruct and investigate the Clinton Administration, but not having to actually govern themselves.

The other reason except for the Russia investigation where there's a consensus both in the House and Senate with both parties, that this is a real investigation and that Congress and Special Counsel Robert Mueller should be investigating this and that President Trump shouldn't be able to fire Bob Mueller simply simply because he might be investigating not just the 2016 Trump Campaign but the White House as well, is because they're now in bed with Donald Trump and his administration politically. I realize the Washington GOP and Donald Trump are not natural bedmates. Sort of like a top model trying to sleep with a serial killer with hair all over his back and chest who belches as a form of communication.

But for the Republican Party to accomplish anything politically and on policy in 2017-18 before the Congressional mid-terms, they're going to need a functioning Trump White House and administration to accomplish those things. That is at least popular enough for them pass their agenda. Both the GOP Congress and the Trump Administration, have similar policy agendas and are close enough to work together. For the GOP to at least hold the House and have no real risk of losing the Senate next year, they're going to have to govern and govern successfully. And they're going to have to work with the Trump White House to do that.

I mean if the House GOP and the Senate GOP abandons President Donald Trump and says they can't work with the White House for laundry's list worth of reasons and I've already mentioned several of them and being a potential puppet that was bought by President Vladimir Putin and Russia, would be another one and instead tries to work with House Democrats and Senate Democrats on issues like health care, infrastructure, tax reform, and tells the White House if President Donald Trump that if he vetoes their legislation they'll just override his vetoes with help of House Democrats and Senate Democrats, because now the House and Senate have these huge majorities on their legislation, because everything they're doing now has bipartisan support, what incentive would Trump voters and the Tea Party have to vote for Congressional Republican and candidates next year? Republicans would be labeled as RINOS. (Republicans in name only)

The Republican Party is now in a damned if they do, damned if they don't situation. They're damned if they stick with Trump (sounds like a campaign sticker) because if he goes down and has no popularity that he can use to govern and Americans aren't listening to him, Republicans won't be able to pass anything meaningful out of Congress, at least on their own. And as a result will depress their base and ignite the Democratic base and at the very least lose the House next year and might lose north of 40 seats as well. And perhaps lose the Senate as well.

If the GOP sticks with Trump and his popularity continues to slides or even holds between 33-38%, but because of his bad behavior and what comes out of the Russian investigation, that the Republican Congress is also divided and can't work with each other and Congressional Democrats have no political incentive to work with Republicans, because they want to at least win back the House in 2018, the Congressional GOP will go down and we'll have a new Congress in 2019 with Democrats controlling at least the House.

I agree with Bill Maher about the Republican hypocrisy when it comes to Donald Trump.

Had Barack Obama said that John McCain a Vietnam POW wasn't a war hero, they would've called him an agent of the Communist Party of Vietnam. And perhaps the Birthers would then say that Barack Obama is from Vietnam instead of Kenya.

Had Barack said that he openly grabbed women's pussies in public, Sean Hannity and many others on the Tea Party right would have said that Barack belongs in prison and called him a serial rapist from the ghetto or someplace.

If President Obama had taken as much time off for vacation at this point in his administration, the Tea Party and others would have labeled President Obama as a lazy bum from the hood who wasn't raised right. And I could go on but I'll spare you.

And I'm not trying to excuse the GOP's double standard for Donald Trump, because their hypocrisy is obvious and disgusting. And just trying to explain it in political terms and what they believe they can achieve with a Donald Trump in the White House and how bad a hand they have with him. And they've decided that sticking with him at all costs is the best decision they can make right now.

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Crash Course: Craig Benzine: 'The Golden Age of Hollywood: Film History'

Source:Crash Course- From Craig Benzine. 

"It's time for the glitz and the glamour of big motion pictures that helped keep American spirits up during and after the Great Depression. Sound was a huge change to motion pictures, but there were still a few technological innovations to come, like color and aspect ration. Today, Craig walks us through the Golden Age of Hollywood."

From Crash Course

Damn, if Craig Benzine could only talk faster and not have to take breaths in-between words, he could get a lot done. But seriously, this guy must have a year supply of free Red Bull or Starbucks coffee, because he makes speed freaks sound like comatose patients. I'm not saying I've never heard someone else talk faster and for a longer period of time, I just can't name anyone right now. I would have to go through all of my memory banks and cash all them out and I might not be able to come up with another time where I heard a faster, longer talker.

I'm not going to cover much of what Craig Benzine said there, because I don't have slow-mo on my computer and he just went through all of these areas really fast. But the Golden Age of Hollywood really for me goes from the 1940s up until the 1970s or so. It was an era where movies were about writing, plot, directing, and acting. Not who swears the most and loudest and who is the biggest asshole in the movie. Catch phrases that make rookie no names actors stars overnight where everyone in country is using that catch phrase to describe whatever current situation they're facing.

To succeed in the Golden Age of Hollywood, you really had to be able to write to make it as a writer. Unlike today where phrases and words are borrowed from other shows and movies and used for their shows and movies. The Golden Age of Hollywood wasn't cookie-cutter, but originalist.

Movies like Mr. Smith Goes to Washington from 1939 with Jimmy Stewart and many others. You can't really say there was a move like that before and there have been many attempts to make another great political movie and movie about Congress since, but most of them have come up weigh short. Mr. Smith came out in 1939 and almost either years later it's still one of the best and most popular movies in Hollywood history.

North by Northwest- still my all-time favorite movie and I would argue at least is Alfred Hitchcock's best movie, even though many others would argue for Notorious instead. There really isn't another movie like North by Northwest. Yes it's a Cold War movie involving the CIA trying to catch a traitor they believe is selling U.S. Government secrets to Russia and perhaps other communist states. So that by itself doesn't make it original. But you have a movie where ordinary people become heroes. Again that doesn't make it original, but it's how it was done.

The closing action scene where the good guys defeat the bad guys takes place on Mount Rushmore in South Dakota. Can't believe someone other than Alfred Hitchcock would come up with that. And then you have Cary Grant as the lead actor who arguably is the most handsome actor of all-time, but he also happens to be the best actor and also one of the funniest actors with incredible comedic timing. James Mason very similar to Cary Grant as far as what he brought to his parts, as the lead bad guy. Martin Landau playing a supporting role. The beautiful and adorable Eva Marie Saint who was also a great actress, as the lead actress.

 It wasn't a suspense movie. It wasn't a thriller. It wasn't an action movie. It wasn't a mystery. It wasn't a comedy. North by Northwest was all of those things in an action-packed movie with a lot of humor in it. That again was sell well-written, directed and delivered. Where the actors and crew knew they were part of something really special and wanted to be there and do their best work.

Today where in an era of Hollywood where TV and movies are about style and appearance. Who is up and who is down, who looks and sounds the hippest and has the most pop culture and reality TV appeal. Instead of who can actually act, who can improvise and be themselves and come off as likable and as someone who not only knows what they're doing, but can bring something different in value that perhaps hasn't been seen before. Where the biggest jerk (to put it mildly) who not only swears the most and puts people down as the most tends to be the most popular. Even if they're no better than your average reality TV star as far as their ability to act.

Today if the public likes the performer and they're so-called viral on social media and the internet, they'll continue to work and make a good living in Hollywood. Even if all their shows and movies are garbage as far as the material. Their shows and movies will continue to sell even if the critics are beating the hell out of their performances and not taking those performers seriously, let alone respecting their work.

The Classic Hollywood era was anti-reality TV. Of course they loved their beautiful, sexy, and adorable actresses. Women like Sophia Loren, Marilyn Monroe, Ava Gardner, Lana Turner, Elizabeth Taylor, Joan Collins, and many others were all big stars back then. And Hollywood loved their big handsome studs. Actors like Rock Hudson, Cary Grant, Dean Martin, Sydney Poitier, and many others. But the difference being that the Hollywood goddess's and gods, were more than their beautiful faces and bodies.

If you couldn't act back then, if you didn't show up for work, then you didn't work. It wasn't an era where Hollywood was trying to sell personality and popularity when it came to their characters, over substance. Classic Hollywood was a professional era where the professionals were in charge which is what makes it so great and classic. As long as reality TV is dominating TV and movies, we won't see another great era in Hollywood again.

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Joan Collins Archive: Mark McMorrow- 'Legendary Dame! Film Flashback: Seven Thieves 1960'

Source:The Joan Collins Archive- Hollywood & British Goddess Joan Collins, in Seven Thieves.

"This exciting heist caper from 1960 features Joan with a cast of Hollywood heavyweights including Edward G Robinson, Eli Wallach & Rod Steiger.. Read more in my film archive here!!
60's Focus : SEVEN THIEVES .. 1960 .. FOX ..

From Joan Collins Archive

"A shrewd and classy caper film set amid the beautiful cities of Nice and Monte Carlo and the glorious French Riviera.  Elder professor, Theo, tells young criminal, Paul, that he wants one more triumph before ending his highly controversial career.  Even though he is reluctant, Paul takes physical charge of the criminal operation which mastermind Theo has meticulously planned; Theo has just finished what he terms as a "three year rest," meaning a prison term.  Melanie, a stripper, and her mentor, saxophonist Poncho, are also recruited onto the seven person team for the event.  The master plan calls for the robbery of the Grand Casino of Monte Carlo on the night of the Governor's Ball.  When the caper moves into full swing, obstacles abound.  Will the seven thieves be able to pull it off?"

Source:FOX- Edward Robinson, Rod Steiger, and Eli Wallach.

From FOX

Source:The Daily Review- Edward Robinson, Rod Steiger, Joan Collins, and Eli Wallach.

Just to be personal for a minute: I've been thinking about this movie a lot lately, because I really love Joan Collins the entertainer. The great actress, the great wit, etc. The beautiful baby-face, voice, keen intelligence, and honesty as well.

She reminds me a lot of Ava Gardner and Elizabeth Taylor who all had those qualities as well. I have 3-4 Joan Collins movies on DVD and got the urge to see one of her movies and was also thinking about Ocean's Eleven from 1960, (the original and best Ocean's) and decided to look at Seven Thieves again. Saw the movie about two weeks ago and saw this blog piece about it on Joan's blog and that is why I'm writing about it now.

I swear other than maybe Brigitte Bardot, Joan Collins must have been the cutest woman in France when this movie was made. She's her always beautiful, adorable, and witty self in this movie. And she relates very well with Rod Steiger. (The lead on the caper in the movie) If you're familiar with Ocean's Eleven 1960 and like that movie, you'll like Seven Thieves as well. Except this time in Seven Thieves the beautiful lead actress (Joan Collins) has a major role in the movie. Angie Dickinson had an important, but fairly small role in Ocean's. You only see Angie for maybe 10 minutes in Ocean's.

Joan is not just the lead actress in Seven Thieves, but she's in most of the movie. She's part of the planning of the caper and in on the caper, as well as escape later on in the movie. With Edward Robinson playing the mastermind of the caper and Rod Steiger as his director sort of like a head coach for a football team reporting to a general manager.

If you like a movie full of stars, a star-studded affair (so to speak) then you'll also like Seven Thieves. Ed Robinson as the mastermind of the caper. Rod Steiger playing the manager of it. Eli Wallach as the top lieutenant. And of course Joan Collins as the beautiful and adorable distraction and serving as the lookout so the men can get into the safe and get the money out of it before they're caught.

And again to get back to Ocean's Eleven where in Ocean's they crew there is in Las Vegas to rob several casinos all on the same night, which granted lets say takes a lot more balls and more ambitious (to be cleaner) Seven Thieves takes place on South France on the Mediterranean. Where all the members of the crew are from somewhere other than France.

But the crew other than Rod Steiger has been there for a while specifically to case the joint (so to speak) and prepare for this job. And like in Ocean's where the whole crew is from somewhere other than Las Vegas and even Nevada, the crew in Seven Thieves are not even French.

I believe Seven Thieves is a great caper heist type movie. One of those movies where the brains of the operation (played by Ed Robinson) where the crew that is put together is working with each other for the very first time and you have the lead character as far as the man running the operation (played by Rod Steiger) who doesn't know anyone in the crew other than the man who hired him and is put in a tough situation. Doesn't know who he can trust and what each member brings to the operation. And keep in mind all the crew members are criminals. Which is never the most trust worthy bunch. (To say the least) Not even criminals tend to trust criminals.

And the manager of the crew is having to get to know all his members while the process of the caper is put in place. The preparation and then the execution of the caper. And also any movie that has Ed Robinson, Eli Wallach, Joan Collins, and Rod Steiger as well, you're going to get a lot of good humor in. (The nature of the characters) Which makes for a very entertaining movie. 

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