Jerry Skinner: What Happened To Jayne Mansfield?

Source:Jerry Skinner- Hollywood Babydoll and Bombshell Jayne Mansfield.

"Jayne Mansfield: A Tragic Ending (Jerry Skinner Documentary)" 

From Jerry Skinner 

"How Jayne Mansfield's Death Car Changed The Trucking Industry. Great New segment about The Mansfield Bar on the REAR of Truck's and how her death changed Federal regulations."

Source:Jayne Mansfield Diamonds To Dust- The car crash that killed Hollywood Babydoll Jayne Mansfield in 1967.

From Jayne Mansfield Diamonds To Dust 

"Die Jayne Mansfield Story (1980)" 

Source: Filme - wahre Begebenheiten- Loni Anderson as Jayne Mansfield, in the last scene from The Jayne Mansfield Story (1980)

From Filme - wahre Begebenheiten 

This is a scene from CBS's The Jayne Mansfield Story (1980) where Jayne Mansfield (played by Loni Anderson) just wrapped up her latest nightclub act in Biloxi, Mississippi. And she calls her ex-husband Mickey Hargitay (played by Arnold Schwarzenegger) to tell him that she has a big business meeting in New Orleans, Louisiana. If you are familiar with this story, you know that Jayne and her crew, including her kids, never make it to New Orleans on this tip. 

Source:Make a GIF- Hollywood Babydoll Loni Anderson as Hollywood Babydoll Jayne Mansfield.

From Make a GIF

This is a scene from CBS's The Jayne Mansfield Story (1980) where Jayne Mansfield (played by Loni Anderson) just wrapped up her latest nightclub act in Biloxi, Mississippi. And she calls her ex-husband Mickey Hargitay (played by Arnold Schwarzenegger) to tell him that she has a big business meeting in New Orleans, Louisiana. If you are familiar with this story, you know that Jayne and her crew, including her kids, never make it to New Orleans on this tip.

Source:Streamer Clips- Hollywood Babydoll Loni Anderson, as Hollywood Babydoll Jayne Mansfield.

From Streamer Clips

"Jayne Mansfield: A Tragic Ending (Jerry Skinner Documentary)" 

Source:Jerry Skinner- Hollywood Babydoll Jayne Mansfield, I believe appearing in a British documentary about her.

What happened to Jayne Mansfield? Well as far as her death, she died in a car accident in June, 1967. She was a passenger and not driving and was headed to New Orleans from Biloxi, Mississippi just after midnight because Jayne had an interview that next day on a local New Orleans news show. They probably should have waited until the next morning to leave because as we know now the driver of the car was working and driving literally on no sleep.

And to make things worst, they were trying to make an 87 mile trip in about an hour or so and were in a real rush. So you got a tired driver driving past midnight and in a hurry to get from Biloxi to Mississippi and you also had a lot of traffic on the road as well and two men who died in the accident in front of Jayne's car who were real impatient.

But I believe the better question as far as what really happened to Jayne Mansfield is not so much about how she died in the end, but why was she performing in nightclubs in Biloxi, Mississippi in 1967 when she was still only 34 years old. Instead of New York or Los Angeles making movies, or doing TV shows, performing comedy, perhaps putting her own music album together. Because she had real talent to do all these things as a versatile entertainer, but wasn't doing them by 1967.

One thing that I agree with the narrator in this video is that Jayne Mansfield wasn't a dumb blonde. The woman had a college degree and came from a successful family in Pennsylvania and later Texas. The daughter of a layer and teacher. She could act, she had a comedic wit, and a singer's voice. But she played the dumb sexy blonde as a career move in order to make money and bring publicity to herself.

But to go back to the fact that she was actually a good actress who could act: she played the dumb sexy blonde so well that people took her seriously as the dumb sexy blonde and didn't see her as anything else. Both her fans and studios, movie and TV executives. She voluntarily left Hollywood in the 1960s because she was tired of playing the dumb sexy blonde and wanted serious roles as an actress. She could have stayed in Hollywood and continued to play the dumb sexy blonde and had very successful career as a comedic actress and comedian in general.

But Jayne was no longer interested in playing the dumb blonde. I believe she would have made a great soap actress in the 1970s and 80s even on prime time had she lived a normal life in years, because of a great comedic timing and wit and she had real dramatic affect as well. But of course we'll never know that. I believe Saturday Night Live in the 1970s and 80s would have been a great place for her too, but we'll never know that either. By the early and mid 1960s Jayne's Hollywood career was basically over.

Jayne's Hollywood career wasn't over because she was tired of working in it, but because she was tired of the roles that she was getting as the comedy relief in movies and TV appearances and wanted to go further as an actress. And was left to doing b-movies and and even some pornographic film and even films of her simply traveling around the country and going to Europe simply to stay busy as an actress.

Marilyn Monroe is famous for saying that it takes a smart woman to play the dumb blonde. Jayne played the dumb blonde so well that she had too many people fooled. Which is why she's always been known as the dumb sexy blonde and not much else even though she had so much else going for her as an entertainer and person. 

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NFL Films: Bob Ryan- 'How The Dallas Cowboys Became America's Team'

Source:NFL Films- The Dallas Cowboys, as America's Team?

"The Timeline details just how exactly the Dallas Cowboys became known as "America's Team."

From NFL Films

At risk of stating the obvious, in a country over 200 million people back in the 1970s and in a major sports league like the NFL with 26 franchises by the time the NFL expanded to Tampa and Seattle in 1976, it's hard to accurately say there was one Americas team in the NFL. America is not Jamaica or Iceland, we're a huge country with a huge population.

Granted, the Dallas Cowboys were probably the most popular team in the NFL in the 1970s and a lot of that I believe had to do with their Hollywood pop culture appeal. Where a lot of their players looked like professional celebrities and entertainers perhaps as much or more as they looked like professional football players. But as one guy in this video said a lot of the promotion that was about the Cowboys in putting together the Americas Team film that was about the Cowboys was based on lies.

The Pittsburgh Steelers were the team of the 1970s in the NFL and I would argue the team of pro sports in that decade. They won 4-6 Super Bowls from 1974-79. Had never been done before and hasn't been done since and perhaps never will be done again with all the parity in the league today. And if you just look at personal and the fact that the Oakland Raiders are also in the AFC along with the Steelers and had to play the Steelers three times in the AFC Championship just to get to the Super Bowl and lost 2-3 of those games, you could certainly argue that the Oakland Raiders were just as good as the Cowboys in the 1970s.

Sure, the Cowboys won 2 Super Bowls and the Raiders only 1. And the Cowboys won five conference championships and the Raiders only 1. But who was the other great NFC franchise in the 1970s? The Minnesota Vikings who lost three Super Bowls? The Los Angeles Rams who only won one conference championship? The Rams, Vikings, and Redskins, were pretty good in the 1970s. But the Cowboys were the only great NFC team in the decade. Which is one reason why they won 5 NFC Championship's. The Steelers had the Raiders and Dolphins that they had to worry about every year and probably beat in the AFC Playoffs just to get to the Super Bowl.

The Dallas Cowboys on paper were probably just as good or about as good as the Pittsburgh Steelers and you could argue they had a better team in 1978 than the Steelers and should have won Super Bowl 13, which I believe is still the best Super Bowl ever. But they didn't and to be the best, you have to beat the best and be your best when it counts the most. Like not dropping TD passes when you're wide-open in the end zone. Being the most popular team and being Americas Team are two different things. Which is why Dallas Cowboys came up short in the 1970s. 

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Alan Eichler: Hour Magazine- Gary Collins Interviewing Lana Turner: 1982 TV Interview

Source:Alan Eichler- Hollywood Babydoll Lana Turner, in 1982.

"Lana Turner chats with Gary Collins in this rare TV interview from 1982."

From Alan Eichler

There's a reason why America has a 50 percent divorce rate. That reason is called Hollywood and broader Los Angeles and the LA area where probably 7-8 out of 10 marriages don't last. Entertainers in Hollywood tend to look at marriage as business opportunities. "If I marry that person, I'll be seen with that person which will lead to other opportunities, plus it will help my image." Especially if they have a reputation as a playboy or playgirl who goes from romance to romance and not seeming very serious about anyone that they get involved with.

The best soap operas in Hollywood don't come from the studios, at least as far as the shows that come from there. They come from real-life in Hollywood and the personal lives that a lot of actresses and actors live. Some if not a lot or perhaps most great comedians in Hollywood, aren't actually standup comedians. But very funny people who are supposed to be serious actors and actresses, but who live very amusing personal lives. Who live crazy lives and do crazy things. Burt Reynolds is a great example of that, but only one example. Ava Gardner with her famous outbursts and temper tantrums, would be another great example of that.

Lana Turner's last big role in Hollywood was on the 1980s hit prime time soap opera Falcon Crest. She was perfect for soaps not just because of her ability as an actress and she's certainly one of the best ever, but also because she lived the life of a soap star and soap personality. She was married a total of nine times and married to one man (Steve Crane) twice. She was the girlfriend of Italian mobster Johnny Stompanato who her daughter Cheryl shot and killed at their home in self-defense. That would be a pretty good episode of General Hospital right there.

Lana Turner lived the real-life of a soap opera character which is why I at least believe she was perfect for soaps like Falcon Crest and could probably could have done other shows as well. Like Dynasty or Dallas, because she had the great dramatic appeal and comedic wit and timing that you need to be a great soap actress. But also because she lived the life of a great soap character. Lana Turner sort of lived the life of Jayne Mansfield, but lived well into seventies and manage to get her wildness and drinking under control to allow for her to live a long life. And Hollywood and the public are in debt to her for that. 

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Larry King Live: 'Joan Collins- On Marilyn Monroe: Diva on Diva'

Source:Larry King Live- Hollywood Babydoll Joan Collins, on Larry King Live.

"In a series of interviews spanning two decades from 1997 to 2017, Joan Collins shares her memories of Marilyn Monroe."

From Larry King Live

Source: The Daily Review- Hollywood & British Goddess Joan Collins.

"Joan Collins Talks Frank Sinatra, Marilyn Monroe & Mae West." Originally from Murmar, but the video has since been deleted or blocked on YouTube.

As far as Frank Sinatra: when you are worth hundreds of millions of dollars which is probably what Frank Sinatra was worth in today's money back in the 1950s and 1960s, you don't believe you live on top of the world. You believe you own the world and that anything you want you just get by asking or ordering it. You meet and work with a beautiful adorable brunette like Joan Collins with a great sense of humor and decide you want to have dinner with her that night. Why would the fact that you are currently in Hamburg Germany and Joan is probably 1000 miles or so away in England get in the way with you getting together with her that night?

You own your own plane and can just send it to her and pick her up and fly her back to Germany where you're currently working. You're not just perhaps the most popular singer in the world, but you're a Hollywood star in films. Why would the fact that Joan Collins has an early call the next morning affect whether you two can get together that night? You just call your friend at Joan's studio where she's working for and tell him that she will be late the next morning because she's having dinner with you in Germany.

That is how Frank Sinatra was probably thinking back then and what Joan did according to this interview was turn him down. And as Joan put it Frank Sinatra didn't handle rejection real well because he wasn't accustomed to being rejected. I mean rejecting Frank Sinatra could cost you. Jack and Bobby Kennedy rejected Frank in the early 60s by not going out to his home in California and instead going to Bing Crosby's on a trip out there and Frank never forgave Bobby for that.

As far as Mae West. Joan Collins has this famous quote that age is just a number. If I had to guess I would say that quote is actually Mae West's quote. Myra Breckinridge which was originally written by Gore Vidal comes out as a film in 1970 with Raquel Welch playing Myra and Mae West is in that movie. She's already in her eighties at that point and could've actually been Frank Sinatra'a mother as far as years, perhaps Joan Collins grandmother and yet she's still performing and singing in that movie and playing a sex goddess who wants to bring young sexy men up to her penthouse. The woman has a bed in her office in that movie. A woman who is already in her eighties.

As far as Marilyn Monroe. Joan is obviously right that gorgeous blondes aren't taken seriously in Hollywood. Nothing new to report there. Lauren Bacall and Ingrid Bergman would be exceptions to that because they both showed early on in their careers that they had to be taken seriously and it would cost the studios money if they weren't taken seriously, because those two women were both very intelligent and knew how to take care of themselves and how the business worked and what they were worth and meant to the movie industry. Marilyn Monroe wasn't a dumb blonde, but was certainly immature and overly adorable both in appearance and personality and was probably used and taken advantage of as a result. And treated like a little girl. 

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Lloyd Laney: Susan Hayward 1998 Biography

Source: Lloyd Laney

Source: Lloyd Laney: Susan Hayward 1998 Biography

I believe what made Susan Hayward such a great actress was how real she was which allowed to her seem like she wasn't acting. She almost had this "I have nothing to lose attitude so I might as well do things my way." Which I guess is understandable because of how she grew up and was raised. Coming from an immigrant community in a very poor part of New York. And was taught very young or perhaps just learned herself that if she's going to accomplish anything in life because of how she's starting out she's going to have to earn everything and work very hard. Because nothing will be given to her.

Sort of reminds me of how Richard Nixon started out in life coming from a very poor part of Southern California and yet he is elected to the U.S. House of Representatives in his early thirties and the U.S. Senate just two years later, Vice President of the United States by 39 and never had to worry about money the rest of his life. People appreciate things more in life when they earn them because they know what it's like not to have much and don't want to go back there. Which I believe is what kept Susan going for as long as she was able to and literally becoming not just one of the best actresses of her generation, but ever.

Not to get too political especially in piece about Classic Hollywood but Susan Hayward represents exactly what American exceptionalism is. That no matter your race, ethnicity, gender, how you were raised and the income level of your parents, if you have real talent, skills, and a strong work-ethic, you'll make it in America. Susan Hayward's lack of a start in life and having nothing to start off with and her father never making enough money for his family to live well and they always being in poverty, only made Susan work harder and be able to accomplish more on her own. Because she hated poverty so much that we was going to work as hard and be as successful as she possibly can.

Susan was finally able to finally enjoy life instead of worrying about will she have enough food to eat that day or will she homeless and other things that most Americans who don't live in poverty take for granted everyday. I believe Susan's upbringing and how real and honest she was contributed to her being the great actress that she was. Because she knew too well what poverty and going without was like and when she was acting it was like she wasn't acting or pretending at all, because of how real she was.

I believe Susan Hayward was one of the first great dramatic comedic actresses. And what I mean by that is not someone who can do both drama and comedy well someone like a Sally Field today who is still one of the funniest people in Hollywood and has still has great comedic timing, but who is also a very good if not great dramatic actress. But Susan was someone who brought comedy to her dramatic roles and could combine both genres into one role and be dramatic and funny at the same time. The movie I'll Cry Tomorrow where she plays a great but alcoholic actress, is an excellent example of that. Where she was cracking wisecracks with the perfect timing as she was playing a drunk with a really bad case of alcoholism.

Susan was so real as an actress and had a knack for playing women who were struggling and did that so well, because she wasn't playing. She knew exactly what it was like to struggle in life and would take those parts and literally turn into the women she was playing, because she knew exactly what it was like to struggle in life. Which is what I believe made her a great actress. Which I believe is also what lead to Susan's downfall and why she dies in 1975 in her late fifties because everything in life was such a struggle for her and she didn't take enough time to actually enjoy what she accomplished in life.

The Atlantic: Kurt Anderson- 'The Cultural Factors Driving America's Departure From Reality'

Source:The Atlantic- Writer Kurt Anderson for The Atlantic.

“Kurt Andersen’s cover story “How America Lost Its Mind” argues that “being American means we can believe anything we want.” This is due to a combination of the new-age mentality born out of the 1960s that encouraged Americans to find their own truth and the internet age, which has allowed us to create communities that reinforce our beliefs. According to Andersen, the perfect manifestation of America’s journey away from reality is the election of Donald Trump. Read more in The Atlantic’s September 2017 cover story:The Atlantic."

From The Atlantic

I don't want to make this whole piece about Donald Trump and even not most of it and perhaps just a lot of it, but the way I look at America's Departure From Reality (to paraphrase Kurt Anderson) is way I describe Donald Trump's approach to politics and broader approach to salesmanship. Which is that it's not what's true that's important to him, but what's believable. And not what's believable to most people or intelligent people. But what's believable to enough people for him to accomplish what he wants.

In 2016 that was the presidency and perhaps now it's just about what's believable to his base so his presidency doesn't completely go under water. Right now President Trump's approval rating is somewhere between 33-37% depending on what non-Fox News and Rasmussen poll you look at. Even Fox News has him in the low to mid forties right now. And you take President Trump's base away from him he's probably in the teens right now and perhaps low teens. Not the Republican Party but just his base in the Republican Party. Which is about 4-10 Republicans.

President Trump believes for him to stay alive and not risk being kicked out of office or asked to resign even with a Republican Congress, he has to have his base with him. And to for hat he has to tell them things that are believable to them even if the rest of the country knows what he's saying his complete garbage. (To be kind) Millions of Americans perhaps have escaped the real world to break from reality and perhaps live in so-called reality TV because their real world is too scary for them. But so does their own President.

America's break from reality of course didn't start with Donald Trump. Right now he's just the overwhelming benefactor of it. Where he now represents people who believe that Russia had nothing to do with the 2016 elections and didn't try to interfere in them. Even though President's own intelligent agencies have told him that Russia tried to hack our elections. Climate change is a hoax, 9/11 was an inside job, Barack Obama was born in Kenya, and I could go on. But America's break from reality has nothing to do with Donald Trump. Again he's just the biggest benefactor of it.

We now live in a country where Americans believe reality TV is actually real and the people on these shows are like that in real-life. When in fact we now now (or at least some of us) that the cast members on those shows are encouraged by the producers of those shows to act out and be the biggest jerks they can and get into arguments with other cast members about nothing to draw the biggest ratings. Because conflict is what sells on TV.

Life in America can be tough and stressful and Americans sometimes need a break from that and be able to escape their own reality. Which is why we take vacations and a lot of us watch the tube and get online when we get home from work especially after we've completed everything we need to do that day. That's fine and I do these things myself. But it's when alternative reality takes over our lives and we start to live in those worlds and start seeing and hearing things that simply don't exist is where virtual reality becomes a problem and we look stupid as a result. Americans are only as powerful and free as we are educated and intelligent.

The smarter we are the freer and powerful we are because we'll make the right decisions for ourselves and people who depend on us. But the more virtual reality and so-called reality TV takes over our lives and we actually take those things seriously instead of the mindless entertainment that it is (like pro wrestling) the dumber we become and the less free that we are as a people and country. 

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BBC: 1999 Jayne Mansfield Documentary

Source:Primativo- Hollywood Babydoll Jayne Mansfield, being interviewed by BBC for their documentary about her.

"Movie star, pin-up queen, nightclub performer Jayne Mansfield lived a short but colorful life (1933-1967) during which she married three times, had five children (including TV star Mariska Hargitay), made over 30 films, appeared on hundreds of magazine and record album covers and dozens of TV appearances. She was known for her "dumb blonde" persona, almost-cartoonish dimensions, and a brilliant intelligence (she spoke multiple languages, played various instruments and was reported to have a 163 IQ). Unfortunately, she is as recognized for her presence in the media (including for her untimely passing) as she is for her on-screen performances. This comprehensive British documentary features tons of media footage, interviews with all three of her husbands, two of her children, and her friends and collaborators...

From Primativo

I guess in one way Jayne Mansfield was a great actress and not just a great comedic actress and comedian, but a real great actress at least in the sense that she had so many people fooled. She wanted to be seen as the dumb blonde who needed her hot, adorable, sexy image to pay her bills. But in actuality she always knew what she was doing. An intelligent woman who wanted to be viewed as a bimbo and was such a great actress that she pulled that off. She had people thinking she was exactly as she came off which was as a bimbo.

Marilyn Monroe had the famous quote that it takes a smart woman to play the dumb blonde. Well that was Jayne Mansfield, the smart woman who played the dumb blonde. She knew what Hollywood was and how she could be successful in it and played her talents to the hilt. A hot, adorable woman with a great body, but who also had a great sense of humor and comedic timing, who was also an accomplished singer. But knew exactly what people in Hollywood and what the fans noticed first and what they wanted.

Which was to see this hot, adorable woman with the great curve appeal and then you add to that which was she was a great entertainer. Someone who should exchange wisecracks with funny people like Tom Ewell, Edmond O'Brien, Merv Griffin, Jack Benny, Cary Grant, and many others.

Jayne was better than Marilyn Monroe at least in this sense that Jayne knew she was really good and had made it and deserved what she accomplished. Unlike Marilyn who was battling mental illness and depression and was heavily medicated for a lot of her adult life and had even attempted suicide and been committed at one point.

Jayne had a plan from day one and knew what she needed to do to make it in Hollywood. But unfortunately Jayne Mansfield falls in the class of what could've happened if only and ends up dying at 34 in 1967 because of a car crash where she wasn't even driving because her and her crew were in a big hurry to meet a big appointment that they had in New Orleans the next morning.

By the time Jayne died in 1967 she was woking the nightclub circuit as a singer because her Hollywood career had burned out because the major studios no longer wanted to work with her.

Jayne mentally in many ways was just as adorable as she was physically. She came off a little girl both physically and personally. And was fairly immature and developed bad habits like drinking heavily and not able to take criticism very well and work to expand her image so she could get better and bigger parts.

Which is why she fell out of Hollywood and down to the nightclub circuit just to pay the bills and keep working. 

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